Vacheron Constantin

Momentum I frames the watch like a moment frozen in motion. Six acrylic layers — each with a different shape and colour — create depth, rhythm, and direction.

They guide the gaze inward, toward the timepiece. Precision meets composition. An echo of Vacheron Constantin’s craft: layered, deliberate, and made to hold your attention.

Momentum II explores the architecture of time — four acrylic spheres aligned with 12, 3, 6, and 9 o’clock. They read as spheres, but they’re not. Each one is built from stacked acrylic sheets, layered to create volume through absence. Every layer is different — like moments in life, no two ever the same.

They sit inside a golden metal cube — rigid, geometric, and deliberate. A quiet tension between flow and control. A nod to Vacheron Constantin and the discipline of time. A reminder that time isn’t just measured, it’s felt.

Inner Time I & II explore how time feels, not just how it’s measured. Two acrylic paintings side by side — part controlled, part instinctive.

Geometry sets the frame: ordered, structured, deliberate. Then come the organic forms — fluid, irregular, emotional. Together they reflect how time shifts through memory, emotion, and perspective. A personal rhythm inside a universal grid.

Foundations I–VII mark the beginning. Seven drawings where structure meets instinct — geometric lines crossing paths with freer, more impulsive gestures.

They’re not polished. They’re thinking made visible. Early tests that shaped the whole exhibition. From these lines came volume, form, and the push to turn ideas into objects — structure into experience.